
Few people understand just how difficult it is for young emerging music artists to sustain their craft, let alone make a living at it. The world is full of talented musicians, singers and rappers who struggle every day to get their music heard and who have no real economical distribution channel for reaching the masses. The internet should have made it easier, but in fact it’s become harder than ever to rise above the noise of the millions of artists trying so desperately to be heard.
We’ve all heard the endless stories of struggling artists living out of their cars and working dead-end jobs just to support their passion. As many as I’ve heard, and continue to hear, I can’t help but wonder about those that weren’t so lucky.
I’m not talking about those who lacked the talent. I’m talking about those gifted artists who just couldn’t afford to keep it going and who ultimately faded away into oblivion. Truth is, the world will never know just how many incredible and truly gifted artists we’ve missed out on simply because they couldn’t financially sustain themselves long enough to “make it”. Let’s face it, talent doesn’t always dictate who will sell music and who won’t.
Could it be that the Fans are the solution!
For years fans have devoutly supported the music industry not only by purchasing music, but by providing the single best marketing machine on the planet. Nothing, since the beginning of the recording industry, has resulted in more album sales than the simple act of one person exuberantly telling another about a new artist they heard or a new album they just bought. The general public has always been directly responsible for the success and failure of any artist.
That’s why I find it so incredibly hard to understand the thinking of the Recording Industry Association of America. The RIAA has filed more than 35,000 copyright infringement lawsuits since 2003. Just when they should be embracing the fans, they’re instead choosing to treat them as pariah.
While I absolutely do not support the violation of copyright law or the violation of the rights of artists, it seems that suing the very goose that built their golden egg is not only counterproductive, but just plain foolish.
I remember when buying a new album was like an event. I would go to the record store and browse the aisles admiring all of the album covers and after finally making my selection, I’d pay an actual person at an actual checkout counter. When I got home I’d tear the plastic wrapping off and listen for hours while reading the liner notes.
Today’s typical music purchase has no tangible feeling or similar emotions that we felt or associated with buying music years ago. You simply click a few buttons and bam, you’re listening to it on your ipod. No liner notes, no human interaction. It’s no wonder illegal downloading is so prevalent. It almost seems like a victimless crime. It’s just you and your computer.
The hard question is; how do you make the act of illegally downloading music seem as wrong as putting a CD under your coat and walking out of a store?
Perhaps a better tact to supporting Indie Music and preserving the sanctity of the artist’s copyrights is to embrace the fans!
Why not a plan that makes fans a part of the process? One that creates a dynamic that’s less retailer/consumer, but more like a partnership. If illegally downloading music meant stealing from not only the artists, but from other fans or themselves, would they be less likely to Kazaa? Would they begin to police themselves and others? If you had some ownership in an album or song, would it bother you if someone else obtained a copy illegally? I think that it might, and that’s why I believe that it’s a social experiment worth exploring.
Don’t get me wrong, no plan would ever completely eliminate piracy and illegal downloading. Even in the times long before MP3’s, there was theft, but I think embracing the fans in a way that gives them a vested interest in preserving and protecting the music, would be a huge step in the right direction.
I firmly believe that fans finally deserve to be rewarded for getting behind their favorite artists and spreading the word about the music they love. While at the same time, and just as passionately, I believe that music artists deserve to be compensated for providing us with their heart and soul in the form of recorded sound.
If indie music artists want to promote and sell music in a manner that’s safer and more economical, things will have to change. It’s time for a paradigm shift in the way Independent Music is promoted and sold.
Empower The Fans!
Howard Archer
EFCMag.com
EmpoweredFanClub.com
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What guitar is best for playing indie/alternative rock music?Most recent i sold two of my guitars a ibanez ex and a epi lespaul
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About Author
Howard Archer is the founder of EmpoweredFanClub™ (http://www.empoweredfanclub.com), a site dedicated to the support and promotion of Independent Music Artists and Fans. Currently in pre-launch, they are inviting indie music artists to have a sneak peak during the month of April. On May 1st, 2009 the paradigm shift begins.
Indie music is shit. Sung by talentless musicians with repetitive poor melodies, stupid pretentious monotonous working class accents and no soul whatsoever. Soon this awful ‘rock’ music will be gone with the new decade and hopefully some real musicians with soul will appear again like before the 2000s
to say the truth not really everyone wants to hear peeps on record labels all of the time some of us want to hear some of the unsigned bands with there own original sound yes its repetitive but most more famous bands and artists are too example: JUST ABOUT ALL RAP MUSIC
Take a look at the music download sites listed on http://www.mp3obsession.com
They are all legal, safe, virus free and work with any mp3 player, including iPods.
They aren't free to download from though, songs are 5¢ each, but you can get some good freebies when you register with them.
i will list some bands and my favourite songs by each
Kings of Leon – The Bucket, King of the Rodeo, Mollys Chambers
Bloc Party – Like Eating Glass, The Prayer, Two More Years
The Strokes – Someday, You Only Live Once, 12:51
Arcade Fire – Wake Up, Keep the Car Running, Rebellion (Lies)
If you are interested in lyrics, you cant go past these two (these bands also have really good musical sounds aswell) i love both these bands at the moment the most out of any.
Manchester Orchestra – I Can Barely Breathe, Where Have You been, and I Can Feel a Hot One, Tony the Tiger
Brand New – Millstone, Play Crack the Sky, Sowing Season, and The Boy Who Blocked His Won Shot
Brand New can come off a little emo-ish at first, but just listen to them, you can really hear the singers emotion and his lyrics are great, especially in Play Crack the Sky – i believe he uses a ship going down at see as a metaphor for a relationship he had
very carefully.
indie bands generally lay low, so good luck!
My favorites are tilly and the wall and eisley (though some other people put them in different catagories)
because it sounds good, makes me feel good and has true meaning and emotion behind it. “Indie” has absolutely NOTHING to do with how many people listen to it. You make a good point, but don’t be so shallow about the subject
I'm not sure about the "most proven way," but I always try to find the cheapest method possible. You can sell your MP3s at http://www.myfavoriteband.com for free and the only sales money you lose is the % that PayPal takes (which is about 2.9%). You can also sell your cds, shirts, stickers, etc. on that site, too.
panda bear. woot, woot.
What's the focus of the mag? Networking/promotion, coverage/festival listings, classifieds, subculture identity, etc? With that in mind, you may come up with a more specific name.
Think about this: Say the mag is all about promotion and meeting people and getting the unknown bands known. You got a regular column about grassroots and renegade promotion. One that profiles the best local gig joints nationwide. An article about what to look for in a replacement drummer. You've got dreams of getting an affiliation relationship with well known agencies. You've got extensive well-organized classifieds in the back pages. So what's the name? The Bricks. As in, "hit the bricks, get out of the garage and get some damn gigs." You go to your favorite newstand, "Hey! The latest Bricks come out yet?" Not the most invocative of the music scene, but if the content is quality, it'll be memorable. Think about your focus and go from there.
Of yours, I like:
Amplified – Simple. Telling.
imuse – I like it. Maybe not for an indie music mag per se, but could definitely work.
Mic-life – Direct. You know what you're getting. Lacks a bit of poetry, but it isn't too outlandish either. Even tends to stir the memory of Life magazine, which was a household name for decades, but with a decent bit of individuality as well. Even plays to the subculture identity theory of "if you don't know, I'm not telling" when people who don't know of it say <mick> instead of <mike>.Probably my favorite of these.
Chords – Too specific. Sounds more like a music theory mag.
Retropolitan – good word. not for this mag, though, unless you've got a bent I'm unaware of. Write it down and use it somewhere. Album title, if nothing else.
Other possibilities:
Gignation
Indie Pulse (Edit: Scratch this one. Already used for several properties, music and otherwise)
something with "sharp" or "flat" in it.
Extension Chord
Reverberations
Ear Candy
Neighborhood #3 (Power Out) is better I think
travis
pantera
the strokes
machine head
arctic monkeys
lamb of god
kings of leon
devildriver
hot hot heat
deftones
the killers
sepultura
white lies
system of a down
bury your dead
megadeth
down
trivium
avenged sevenfold
eighteen visions
biffy clyro
kingdom of sorrow
hatebreed
kasabian
36 crazyfists
in flames
snowpatrol
Toronto
haha
Indie music was originally music that was produced independently. Now, however, times have changed and it commonly refers to music that has a similar sound to those few bands that were “indie” (as the original meaning suggests). Also, Arctic Monkeys and Bloc Party are both bands that are borderline indie. And finally, what difference does it make? I like music, and a lot of it tends to be indie. But I don’t like it just cause it’s cool. I don’t ONLY like indie, and, unlike you, I like music
Enjoy indie music : )
Then come to youtube . com / machiinate for some of the indie best mixes to come !!
ralppi1 you are so fuckin stupid. and all other people that say that indie means unsigned bands and shit. indie is a rock genre you stupid fucks! search for indie rock and you’ll see. google is your friend douchebags
Bottom line. Pure Volume http://www.purevolume.com/ has the best indie band info, downloads and ease of use to find new artists and explore new types of music. Check 'em out.